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NEW & RECENT ART and LIFESTYLE
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Landscape of Slavery Angela D. Mack (Editor), John Michael Vlach, Roberta Sokolitz, Stephen G. Hoffius (Editor), Stephen G. Hoffius (Editor) University of South Carolina Press, $19.96, 240pp ISBN-13: 9781570037207
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Bridging art history and social history, Landscape of Slavery undertakes an original study of plantation images from the eighteenth century through the present to unravel the realities and mythology inherent in this complex and often provocative subject. Through eighty-three color plates, nineteen black-and-white illustrations, and six thematic essays, the collection examines depictions of plantation structures, plantation views, and related slave imagery and art in the context of the American landscape tradition, addressing the impact of these works on race relations in the United States. Created by artists as diverse as Thomas Coram, Louis Rémy Mignot, Dave "The Potter" Drake, Eastman Johnson, Winslow Homer, Alice Ravenel Huger Smith, Thomas Hart Benton, Hale Woodruff, Aaron Douglas, Juan Logan, Joyce Scott, Carrie Mae Weems, Radcliffe Bailey, and Kara Walker, the wide range of objects discussed includes paintings, drawings, photographs, statuary, ceramics, and items of folk art. Click to comment on this book or review on QBR BLACK INK, our blogspot.
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Aaron Douglas: African American Modernist Susan Earle (Editor) Yale University Press, $60, 253pp ISBN-13: 9780300121803 |
Aaron Douglas is best known as a major figure in the Harlem Renaissance and one of the greatest black artists in American art history. His mature style combined art deco energy and sophistication, modernist abstraction, and themes from African and African American history, sometimes described as jazz made visible. This volume brings together essays by many of the leading scholars of African American art, including Kinshasha Conwill and David Driskell, to accompany a major exhibition of Douglas's art. Focusing on his artistic development from his formative years in the Midwest to his blossoming after moving to New York City and his later time as a leading university art educator, the text explores his accomplishments as a poster and book designer, painter, and muralist. Well illustrated with reproductions of his works in both black-and-white and color, this book attests to the undeniable significance of Douglas's artistic achievements. Highest recommendation for any library with an interest in art or African American history. Click to comment on this book or review on QBR BLACK INK, our blogspot.
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