qbr.com | the black book review online

           
 
    

    
 

  BOOKS BY CATEGORY 

 New & Recent Fiction
 
Christian
 
Diaspora
 Erotica
 Graphic Novels
 Historical
 
Literary Fiction
 Mystery & Thrillers
 
Popular Fiction
 Romance
 Speculative Fiction
 Short Story & Antho- 
  logy
 Urban Fiction

 New & Recent
          Non-Fiction
 Art & Lifestyle
 Biography & Auto-
 biography

 Business & Economics
 Cooking
 Current Affairs
 Diaspora
 Education
 Family & Relation-
  ships
 Health
 History
 Literary Criticism
 Music
 Politics
 Self Help & Motiva-
  tional
 Sports
 Travel

 New & Recent
 Poetry
 Childrens' & Young
 Adult

 HOME

 

 

 

 

 

NEW & RECENT ART and LIFESTYLE

Landscape of Slavery
Angela D. Mack (Editor), John Michael Vlach, Roberta Sokolitz, Stephen G. Hoffius (Editor), Stephen G. Hoffius (Editor)
University of South Carolina Press, $19.96, 240pp
ISBN-13: 9781570037207

     Bridging art history and social history, Landscape of Slavery undertakes an original study of plantation images from the eighteenth century through the present to unravel the realities and mythology inherent in this complex and often provocative subject. Through eighty-three color plates, nineteen black-and-white illustrations, and six thematic essays, the collection examines depictions of plantation structures, plantation views, and related slave imagery and art in the context of the American landscape tradition, addressing the impact of these works on race relations in the United States. Created by artists as diverse as Thomas Coram, Louis Rémy Mignot, Dave "The Potter" Drake, Eastman Johnson, Winslow Homer, Alice Ravenel Huger Smith, Thomas Hart Benton, Hale Woodruff, Aaron Douglas, Juan Logan, Joyce Scott, Carrie Mae Weems, Radcliffe Bailey, and Kara Walker, the wide range of objects discussed includes paintings, drawings, photographs, statuary, ceramics, and items of folk art.
      Click to comment on this book or review on QBR BLACK INK, our blogspot. 



Aaron Douglas: African American Modernist 
Susan Earle (Editor)
Yale University Press, $60, 253pp
ISBN-13: 9780300121803
   Aaron Douglas is best known as a major figure in the Harlem Renaissance and one of the greatest black artists in American art history. His mature style combined art deco energy and sophistication, modernist abstraction, and themes from African and African American history, sometimes described as jazz made visible. This volume brings together essays by many of the leading scholars of African American art, including Kinshasha Conwill and David Driskell, to accompany a major exhibition of Douglas's art. Focusing on his artistic development from his formative years in the Midwest to his blossoming after moving to New York City and his later time as a leading university art educator, the text explores his accomplishments as a poster and book designer, painter, and muralist. Well illustrated with reproductions of his works in both black-and-white and color, this book attests to the undeniable significance of Douglas's artistic achievements. Highest recommendation for any library with an interest in art or African American history.
          Click to comment on this book or review on QBR BLACK INK, our blogspot.
MORE...                                                                  



    



                                                                                                

 

      






About Us | Contact_Info | Copyright | Privacy | Terms of Use
Copyright © 2008 qbr.com | the black review online All Rights Reserved

 Powered by VSM  Website developed by Efinity Technologies